The Grammys |

There is however hope in these unsure periods of ours when a nonagenarian singer of sweet boleros can get a Latin GRAMMY in the Ideal New Artist class.

The 23rd version of the awards not only gave audiences hope, but thrilled with a sprawling, lively banquet of seems, colors and textures from additional than 30 nations. The star-studded present demonstrated — 1 soulful, visually gorgeous effectiveness at a time — that Latin new music is not a solitary, monolithic genre.

From anthemic Mexican rancheras to bouncy reggaetón riddims and stark confessional ballads, these are the highlights of a ceremony that gave us quite a few moments to cherish.

The Spirit of Salsa Life On

At a time when salsa is often remembered as a beloved artifact from a long time earlier, Marc Anthony warrants accolades for remaining genuine to the style that designed him a tropical icon through the ‘90s.

Backed by a seasoned orchestra led by keyboardist and producer Sergio George, Anthony done a feverish looking through of “Mala” — off his 2022 album Pa’llá Voy — hefty on the trombone riffs and byzantine piano tumbaos. “I’d relatively sing than speak,” the 54 calendar year-aged quipped when receiving the Latin GRAMMY for Best Salsa Album. “Mala” was also victorious in the Very best Tropical Song class.

Rauw Alejandro Is Right here To Continue to be

In a way, Rauw’s tight, powerful efficiency celebrated his affirmation past yr as just one of Latin music’s most significant worldwide stars. A medley like bits from “Desesperados” and “Lejos del Cielo,” felt equally easy and urgent, and showcased his many talents as dancer, songwriter and vocalist.

The finale, a kinetic looking at of “Punto 40” — his remake of the common reggaetón cut by Infant Rasta & Gringo — proved that the Puerto Rican tastemaker has located a inventive sweet spot. He is also outlined as a contributor on MOTOMAMI, the Album of the 12 months winner by girlfriend Rosalía.

Christina Habla Español

Accepting her award for Aguilera in the Most effective Classic Pop Vocal Album class, Ecuadorian/American diva Christina Aguilera remarked that she had needed to history one more Spanish language album considering that the launch of Mi Reflejo in 2000.

The two-decade wait was undoubtedly worthy of it, as her voice sounded deliciously gritty on her performance of rousing ranchera “Cuando Me Dé La Gana” with Christian Nodal, whose EP #1 FORAJIDO won the Very best Ranchero/Mariachi Album race. Fittingly, their duet concluded with fireworks.

It is Never Also Late — Significantly

As a rule, ties in award ceremonies go away at the rear of a lukewarm aftertaste. In the case of this year’s Most effective New Artist, nevertheless, the joint victory of 25 yr-outdated Mexican songstress Silvana Estrada and 95-calendar year-outdated Cuban singer Ángela Álvarez was arms down the most psychological second of the night.

Both females recorded luminous albums marked by a deep reverence to the people roots of Latin America. “This is for my dear homeland, Cuba — a put I will never overlook,” stated Álvarez, standing next to her grandson, Los Angeles-dependent producer Carlos José Álvarez. Just after receiving an ovation, she remaining at the rear of some inspiring creative tips. “Even however lifetime is tough, I guarantee that with faith and like, it is by no means much too late.”

An Album For The Ages

Unveiled in March of this calendar year, Rosalía’s MOTOMAMI is a cultural landmark a conceptual operate of limitless creativity and wondrous stylistic plurality. It won awards for Very best Album Of The Year, Greatest Substitute Music Album, Finest Recording Deal and Best Engineered Album.

The Spanish singer’s performance mirrored MOTOMAMI’s own opulence. Putting on sunglasses and vibrant red lipstick, she played the piano and executed an achingly susceptible “HENTAI,” before launching into a attractive variation of put up-modern bachata “LA FAMA.” The buoyant “DESPECHÁ,” a latest solitary, uncovered her dancing between the crowd, with a quick pit end to greet boyfriend Rauw Alejandro.

Moving Urbano Ahead

2022 has been a particularly resourceful year for Karol G. Her ongoing collaboration with fellow Colombian producer Ovy On the Drums expanded the urbano landscape with a cinematic scope.

Her deeply emotional efficiency functioned as a summary of her modern achievements. It began with a languid quote from “GATÚBELA,” then speedily morphed into the acquainted strains of mega-hit “PROVENZA,” which she carried out going for walks down the aisles of the location, adopted by her dancers. Back onstage, she beamed dancing to the progressive post-reggaetón defeat of brand name new one “CAIRO,” with Ovy participating in ominous keyboard designs.

Past And Existing Of A Mexican Legend

A prolific singer/songwriter with a Midas contact for timeless romantic hits, Michoacán indigenous Marco Antonio Solís was honored as the 2022 Latin Recording Academy Man or woman Of The 12 months with a distinctive gala held the night before the awards.

Solís done two times in the course of the ceremony first as a solo artist with majestic readings of “Si No Te Hubieras Ido” and ranchera-pop “La Venia Bendita,” and then a sentimental “La Cárcel” with previous team Los Bukis. “You’re not only the pleasure of Mexico, but of all Latinos,” enthused presenter Emilio Estefan Jr. Solís expressed his gratitude and underscored the relevance of young artists carrying the torch of Latin appears around the entire world.

A Brazilian Diva Channels Reggaetón

A indigenous of Rio de Janeiro, Anitta conquered the mainstream on the toughness of a cosmopolitan musical palate that embraces reggaetón beats and lush strains of Latin pop. Her efficiency at the Awards was correctly electrical, commencing with the booty-grinding “Envolver,” then segueing into the tribal excesses of “Rave de Favela,” her orgiastic collaboration with Important Lazer. Significantly from relying on musty bossa novas, the Latin GRAMMYs identified in Anitta a glimpse of Brazilian futurism.

An Uruguayan Maestro Wins Huge

A perennial Latin GRAMMY beloved, Jorge Drexler included seven trophies to his assortment, including the coveted Report and Song Of The Yr awards.

The veteran troubadour appeared genuinely astonished as the Latin GRAMMYs retained piling up, but anybody who listened to the wonderful orchestral preparations of his album Tinta y Tiempo could have predicted this instant. A collaboration with Spanish enfant awful C. Tangana, “Tocarte” is an electro-canción gem, and Drexler carried out it with Elvis Costello. “Vamos, Elvis,” he exclaimed, just as the British legend launched into a blistering guitar solo. In one of his acceptance speeches, Drexler showed his generosity of spirit by thanking urbano artists for disseminating the beauty of Latin sounds internationally.

The Future Is Now

Acquiring Nicky Jam execute a moody rendition of “El Perdón” his smash collaboration with Enrique Iglesias is in by itself induce for celebration. But the singer went a phase forward and designed an indelible minute by inviting 4 young artists to join him onstage. Xavier Cintrón, Valentina García, Nicolle Horbath and Sergio De Miguel Jorquera are recipients of the Latin GRAMMY Cultural Foundation’s Prodigy Scholarships. The pairing of veteran stars with gifted new voices was magical.

2022 Latin GRAMMYs: Finish Winners & Nominations Checklist